journalism sausage-fest: spicy, greasy, cheap
Thursday, April 21, 2011
I encourage you to listen to the full comics journalism panel from the National Conference on Media Reform, even though it is an hour and a half long. I wrote a bit about it over at Graphic Journos, so please go read that because I don’t like the idea of cross-posting.
I’m working on a few stories right now, including some preparation and investigation for a project in which I will be going under cover in a few months, something I haven’t done before. This year is shaping up to be far and away my best ever as a freelancer, and I have to think this is in part because I’ve gotten a lot gutsier. This was on my mind as I was writing up some new pitches this morning, and then I read this first part of Susannah Breslin’s “How Your Journalism Sausage Gets Made” (from Forbes.com, who loves my CC-licensed art!).
I have to imagine there are young female journalists out there who are missing out on stories, jobs, and opportunities because they aren’t being aggressive enough, because they hesitate rather than go barreling after a story, because when push comes to shove, it is easier to not get in a shoving match.
If you are one of those girls, I hope you will go out and do good stories, the hard stories, the weird stories. Not because they need to be told, even though they do, but because they are fun, because they are the places in which you will find yourself, because they are the times that will crystallize your understanding of who you really are. That’s the thing about journalism I always forget until I’m back in it, until days like today. That packing up your gear and heading into the unknown of a story unfolding is really what journalism is all about, not jobs, not your peers, not the words. It’s just you and the story and whatever is about to happen.
So yeah. I liked that.
This review is of the “Best American Comics 2008″ edition, which actually took chances on “up & coming” creators (that Eleanor Davis cover! my god!) as opposed to this year’s volume, which is about as recession-proof safe as one could imagine. My guess is they’ll sell as many(/few) of the boring as of the good ones, but try to convince some Houghton-Mifflin editor of such economic realities? Good fucking luck, he’s banking on modest Crumb-driven sales. (No, I cannot bring myself to blame guest editor Charles Burns.)